Danish teen gay movies in english movie#
“How did they make a movie out of Lolita?” queried the print ads back in ‘62 and the answer, one supposes, is with pathos, black humor, and tragic transgression. Of course Stanley Kubrick’s take on Vladimir Nabokov’s incendiary novel was going to make this list of forbidden love films, how could it not? Middle-aged Humbert Humbert (James Mason) becomes obsessed with teenaged Dolores Haze (Sue Lyon), the titular Lolita –– here she’s a 15-year-old, as opposed to the 12-year-old she was in the novel –– and the results, depending on who you ask, are one of Kubrick’s most satisfying films, at least of his early period.
Danish teen gay movies in english full#
Despite its racy and sensational subject matter Murmur of the Heart is a shockingly sensitive, remarkably tender, and tellingly melancholic film that ranks with Malle’s finest work.ġ5-year-old Laurent Chevalier, played brilliantly by Benoît Ferreux, is in many ways an avatar for Malle –– both suffered from heart murmurs and both opposed the First Indochina War, for starters –– and is often compared favorably to François Truffaut’s likewise autobiographical film, The 400 Blows.Īn affectionate and nostalgic tale, full of affection and warmth for its characters and it somehow manages to be virtuous even when it is taboo, Murmur of the Heart beats resolutely. Scott writing for The New York Times puts it, “both spellbinding and heartbreaking, a delicate chamber piece with the large, troubled heart of an opera.”įrench New Wave luminary Louis Malle’s controversial coming-of-age story embraces accidental incest in the town of Dijon. There’s something histrionic about the emotional insecurity that Birth boldly emblazons, and it makes for something of a malefic love letter, a lamentable billet-doux from a gifted director.
Nicole Kidman is Anna, a Manhattan widow who slowly comes to believe the claims of a ten-year-old boy named Sean, who repeatedly tells her that he is the reincarnation of her late husband, also named Sean, who died suddenly ten years hence. Jonathan Glazer’s criminally misunderstood second feature Birth combines a sedated surrealism with a powerful meditation on belief and its connection to love and the result is a confrontational and compelling pièce de résistance.